35mm equivalency - What a digital lens would be equivalent to in terms of a 35mm film SLR camera. Used as a standard for discussing the field of view and magnification power of a lens. In 35mm equivalency, lenses over 50mm are telephoto, whereas lenses below 50mm are wide-angle or fisheye lens. In a digital SLR, a mirror placed in front of the focal plane (where the image sensor sits) bounces the light that comes from the lens upward into a prism and then out the eyepiece. When you press the shutter button, the mirror flips up out of the way so the light can pass to the focal plane.
High Speed Shutter - Allows for a sharper picture of a recorded action when played back. Events recorded with a high speed shutter can be paused or played in slow motion with no visual blur. When using a faster shutter speed, more light is required.
ATRAC™ Compression (SONY) - ATRAC technology compresses audio files by removing all of the sounds the human ear cannot hear, thereby maintaining audio quality and providing more music storage capability. At the highest compression level, a person could record up to 5 hours of music on a standard 80-hour Mini Disc (up to 490 songs on one CD-R/RW disc).
DVD - Similar to a CD-ROM, but able to hold more information-up to 17 gigabytes. DVD is also a disc that will hold full feature length movies.
CompactFlash - The most widely used digital memory format, CompactFlash cards are used by most current Canon and Nikon cameras, as well as many other brands. CompactFlash cards are available in sizes up to 2 Gigabytes, larger than any other currently-available format.
Convergence - An adjustment that must be made occasionally to CRT sets. This adjustment makes the three colors coincide perfectly.
35mm equivalency - What a digital lens would be equivalent to in terms of a 35mm film SLR camera. Used as a standard for discussing the field of view and magnification power of a lens. In 35mm equivalency, lenses over 50mm are telephoto, whereas lenses below 50mm are wide-angle or fisheye lens. In a digital SLR, a mirror placed in front of the focal plane (where the image sensor sits) bounces the light that comes from the lens upward into a prism and then out the eyepiece. When you press the shutter button, the mirror flips up out of the way so the light can pass to the focal plane.
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